Figuring out how to create a compelling, entertaining, or meaningful story within a contained structure is a challenge every screenwriter should attempt.
'Bumpin Uglies' Brazilian waxes conventional-indie expectations in Susie Griswold’s first full-length feature which she co-directed, co-produced and co-starred with Kevin Craig West of MoBetta Films.
Denny Schnulo reviews Save the Cat! Goes to the Indies, where Salva Rubio uses Blake Snyder's Beat Sheet to analyze 50 independent films.
In the last of Rona Edwards' four-part film festival series, the big day has arrived. You are showcasing your work and exposing it in front of a festival audience.
If you're looking to get your script made and seen, you already have the material, and you can handle distribution on your own! Marty Lang explains that by becoming a writer/producer and putting in the work, you can literally will your film into the world!
Dennis Rainaldi launches his new Script column with his inspiring story of leaving a long-time job at the United Nations to follow his dream of being an indie filmmaker.
Until February 18th, The Writers Store is offering an Indie Filmmaker Package that addresses all of the needs of the independent filmmaker. Don't miss this chance to save hundreds of dollars!
Writer/Director Heather Taylor explains the three versions of a film: the one you write, the one you direct and the one you edit. Rewriting is inevitable.
Writer-director Cameron Chapman explains how writing a screenplay to direct yourself requires an extra set of considerations compared to a spec script to sell to a producer.
What is the Stowe Story Labs? Shoshana Rosenbaum describes her firsthand experience, answering Is it a worthwhile experience for screenwriters and filmmakers?