Pamela Jaye Smith and Monty Hayes McMillan gives tips on writing chivalric love to deeply engage your audience in the kind of romance that changes lives.
Characters are engines that drive ideas into a story. Each of the major character types plays a specific role in that process. Third is THE LOVE INTEREST.
Danny Manus examines the evolution of the romantic comedy to help you increase your odds of success when writing this genre.
[Based on Pamela’s book for screenwriters, directors, actors, and designers Inner Drives: Create Characters Using the 8 Centers of Motivation (chakras) published by Michael Wiese Productions and available at the Writers Store.] ***** Just as females in romantic relationships usually fall into one of the Marilyn, Mom, or Muse categories, so...
Your job is to determine your show's over-arching architecture and be able to articulate it, both in a verbal pitch and in the design of your pilot. The good news is, there is no shortage of good model structures on the air as we speak.