Screenwriting

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Writers’ Room 101: Pitching Tips

In the last post, I gave you a general overview of what pitching in the room is like. Hopefully, the information wasn’t too overwhelming. If it was…don’t panic! I’ve got some specific pitching tips that’ll make it all make sense. Pitch Solutions, Not Problems This is an expression you’ll hear a lot, and it’s...

Do It or I Chew It
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Why Spec Scripts Fail: Failure To Do Your Homework, Part 4

In our previous homework discussions, Part 1, Part 2 and Part 3, several reasons spec scripts fail may have seemed obvious or simplistic to some readers… As obvious as looking both ways before you cross the street. Or as basic as not falling prey to “TEXTAHOLISM” while you hold up traffic at a stop...

Pitcher

Writers’ Room 101: Pitching in the Room

When I first sat down to start writing about this topic, I was worried because I thought there couldn’t possibly be enough to say about pitching to fill an entire blog post. Next thing I knew, I had written so much that I decided to break it into two separate posts so the information...

Mission of the Moment

Back to the Chalkboard: The Mission of the Moment

Have you ever found yourself in a singular moment where you felt hyper-driven to achieve a very specific goal? I’m sure you have, and I bet you can think of something better than that time your morning was placed in serious jeopardy when your favorite Starbucks was unexpectedly closed for maintenance, leaving you desperate...

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Column D: More Sausage – The Screenwriting Process, Part 2

In my previous post, I wrote about the three stages of screenwriting. In this one, I want to focus on the third of those stages – namely, re-writing. I think that for most screenwriters, this is probably an individual thing. I’m not certain that it’s something that can even be taught. The best I...

Hollywood 101 Sign

Writers’ Room 101: The Introduction

Welcome to Writers’ Room 101! This is the first in what I hope will be a long series of blog posts that aims to be both informative and interesting. But before I formally kick off this column, I thought it might be useful to explain just what it’s all about…and what it’s not going...

Dialogue

Wendy’s LA4HIRE: Best Screenwriting Tips for Great Dialogue

As a producer and script consultant who reads hundreds of screenplays, one of the most common weaknesses in the majority of scripts I review has to do with dialogue that is expositional, or what we call “on the nose” — where characters state exactly what they are thinking and feeling, or tell us information...