Wendy Kram explains how great screenplay writing has dialogue that is authentic and filled with subtext as opposed to exposition.
Stewart Farquhar discussing how to craft a hook. Why would you labor for months or even years on a story void of an inducement or a reason for anyone to read your creation start to finish?
Writer/director Kim Garland shares her process for analyzing her work and extracting all of the film directing lessons she can from each film she makes.
Shawn Tolleson gives essential keys to success in the entertainment industry starting with, don't be afraid to fail.
Stewart Farquhar answers what are story HOOKS and why are they important? No or Bad Hook = Weak Story = No Interest.
Jenna Avery interviews the filmmakers of a new sci-fi feature you won't want to miss, with great lessons for up and coming sci-fi screenwriters on budget, continuity, roles for actors, and more.
Clive Davies-Frayne second article about originality by saying that moral dilemmas should be the heart of screenwriting, rather than reverse-engineered rules.
Danny Manus explains how the god-like power of the screenwriter demands building your world of your script in an original and compelling way.
In his second "Should I Go To Film School" column, screenwriter and professor Brad Riddell discusses how to decide on a film school degree.
Yvonne Grace discusses character development in the television series narrative and how a multi-layered character enhances and complicates a strong TV drama.