With apologies to the Indo-European romance linguists amongst us, many of the scripts that cross Stewart Farquhar's desk suffer from Antagonista Incognita.
Stewart Farquhar discussing how to craft a hook. Why would you labor for months or even years on a story void of an inducement or a reason for anyone to read your creation start to finish?
Stewart Farquhar answers what are story HOOKS and why are they important? No or Bad Hook = Weak Story = No Interest.
At various times in our lives we all suffer from some sort of Adapt-A-Phobia. Today, information flies at us so fast we are overwhelmed with the data, Part 3.
Dave Trottier tackles a reader's question about script consultants. What they do -- and shouldn't do -- with your work.