Meet George the writer. She knows everything about breaking into TV writing the wrong way and in so doing, hopefully shows you the right way. Here, she attempts to break through the fourth wall – out of theatre and into television...
Ken LaZebnik founded the Stephens College TV & Film Screenwriting MFA, a low residency program based in Hollywood, which develops new female writers.
Love of community can be the plot or sub-plot; it can be the driver of a character’s actions or it can be the background against which your story is played.
Pamela Jaye Smith & Monty Hayes McMillan discuss how to put the love of death and destruction into your stories and characters for more drama.
Shawn Tolleson had a spontaneous post-film screening Q&A and one big question overshadowed them all… How did you get that dang film into production?
Shawn Tolleson explains just like there’s no Prince or Princess Charming in real life, there’s no Prince or Princess Charming in your screenwriting career.
Pamela Jaye Smith and Monty Hayes McMillan explain how to write, direct, and shoot believable warriors and relationships.
Believing in a project and pursuing it versus when you should let go of a script idea that you have, or indeed walk away from an idea or a project that isn’t working...
Love, or the lack thereof, between family members offers you rich dramatic possibilities. Pamela Jaye Smith & Monty Hayes McMillan share tips and exercises on using the richness of family in your stories.