By Danny Manus I’m not sure if you’ve noticed, but there are THOUSANDS of articles on screenwriting out there, and 90% of them are just regurgitated bullshit said in a different, quippier, blunter or more motivational way. Most of them give totally contradictory facts and advice that make your head spin. Most of them...
This summer, I judged The Hollywood Player Pitch Contest at NATPE’s PitchCon. For the past couple of years, I’ve helped TV Pitchers develop their materials and prepare for their pitches. I thought it might be helpful to share some Do‘s and Don’t‘s of what ought to be in your pitch proposal. DO: Know WHAT your show is. Is it...
SPECS Voltage Productions and Solipsist Films have purchased the spec script The Driver from writing-directing team Zach Luna and Spenser Cohen. Cohen, who recently graduated from USC, will direct the film. Solipsist’s Stephen L’Heureux and Nic Chartier will produce the project along with Craig J. Flores of Voltage. The Driver follows a man whose...
No matter how good you are, when you get to the professional world, you will be competing against thousands of people who are better. So, there is no "good" … there is no "good enough" … there's only the never-ending pursuit of being stronger. Start now.
Study shows you most admire. Learn how those shows tell their stories, then use them as models when creating your own show.
In other industries, people apply for a job, get hired, then move to the new city to start their new gig. Not in Hollywood.
Most people who "can't" move to L.A. ... or switch jobs ... or do the things necessary to break in ... simply don't want to. But make no mistake: THE CHOICE IS YOURS.
Be honest with yourself about your project's business model and commercial potential. Just as specific producers work on specific types of material, so do certain agents.
A film consultant is not the most qualified person to guide you through developing a TV series. They may be able to give you pointers on scenes and dialogue, but the truth is... TV and film are two totally different crafts.
You do NOT want a writers group mixing seasoned, polished writers with first-timers trying to learn structure, character, tone, process, etc.