writer

Hollywood 101 Sign

Writers’ Room 101: The Introduction

Welcome to Writers’ Room 101! This is the first in what I hope will be a long series of blog posts that aims to be both informative and interesting. But before I formally kick off this column, I thought it might be useful to explain just what it’s all about…and what it’s not going...

Dialogue

Wendy’s LA4HIRE: Best Screenwriting Tips for Great Dialogue

As a producer and script consultant who reads hundreds of screenplays, one of the most common weaknesses in the majority of scripts I review has to do with dialogue that is expositional, or what we call “on the nose” — where characters state exactly what they are thinking and feeling, or tell us information...

MerylStreep

Producer’s POV: Charlie Kaufman’s Women

A great deal has been written over the past forty years about (Alfred) “Hitchcock’s Women.” Immaculate blondes, sensual ice queens that could be both treacherous yet vulnerable. These strong independent women often drove the action of his famous suspense films – and they suffered for it. They have become icons of his era. One of our...

Carnal Knowledge still Nicholson Ann-Margaret

The Wide Margin: A Writer’s Carnal Knowledge

“So, that’s one for “Cah-nahl Knah-ledge…“ That’s how they sold tickets at the old Hahvahd Squah Theahter Harvard Square Theatre where I first saw the classic Mike Nichols’ film.  The Harvard Square Theatre – before succumbing to the sweeping home viewing revolution – used to host both old films (different daily double features!) and...

writer's tools

The Wide Margin: A Writer’s Rules, A Writer’s Tools

Hello.  I’m Kevin. And I’m a writer.  I have never thought of myself as a playwright.  Never thought of myself as a screenwriter.  Nor a novelist.  I’m not an essayist.  And I’m most certainly not a blogger because – let’s face it – until the Internet was invented, “blogging” was what you did after...

tim-robbins

Behind the Lines with DR: The Coolest Deed

Way back when The Shawshank Redemption was barely hanging on in theaters, squeaking out some pretty meager box office, and still years before it was regarded as one of the greatest American movies of the last thirty years, Academy and Guild members were not yet able to rely on screeners as a way to keep up...