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Ray Morton: Abyssinia, Larry |
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 The highest profile portion of Gelbart’s career began in 1972, when producer Gene Reynolds hired him to adapt the smash hit movie M*A*S*H for television. Gelbart spent four years with the show, first as executive story consultant and then as co-executive producer, writing or rewriting most of the episodes and directing a bunch as well. After leaving the Korean War behind, Gelbart wrote more screenplays (Oh, God, Movie Movie, Tootsie), continued to work in television -- both in series (Roll Out, United States, After M*A*S*H) and in MOWs (Barbarians at the Gate, … And Starring Pancho Villa as Himself) -- and in the theater (Sly Fox, City of Angels, Mastergate). He also wrote a book (his 1997 autobiography Laughing Matters: On Writing M*A*S*H, Tootsie, Oh, God!, and a Few Other Funny Things), articles, message board postings, blog entries, and even a few songs. Continue reading on the Scriptmag blog ... |
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Happy Star Trek Day! |
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Check out this great interview with cover gents Alex Kurtzman and Roberto Orci, in which they discuss pleasing the Star Trek fan base with their genesis film. Thanks to our friends at Back Stage for sharing this excellent video. Find more interviews with actors, writers, showrunners and directors at Backstage.com.
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Innocent Voices: An Interview With Oscar Torres |
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 Screenwriter Oscar Torres takes time to discuss a story very close to his heart, the powerful war drama Innocent Voices. |
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Still The One |
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![]() Scribe Jim Falletta details his roller-coaster ride as an aspiring screenwriter trying to make it to Hollywood. |
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Ali Russell: The Journey toward Elysium |
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 Screenwriter Ali Russell has it going on: She just turned 22, sold her first pitch and started her own production company—all in the last month. |
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Operation Penance |
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 Ann Casano tells her first-person experience of leaving everything behind to pursue the screenwriting dream. |
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