Ever wonder what pre-production looks like? Kevin Moore and Shawn Harris, screenwriters of The Unhealer, a Drama/Sci-Fi/Horror film, sit with Script and share the experience of pre-production from a writer’s perspective.
Most scripts are rejected on page one, because the writer fails to show fundamental writing skills. Clive Davies-Frayne shares exercises to help build those missing skills.
Tom Stempel examines the films Tully, Disobedience, Solo: A Star Wars Story, and Ocean’s 8 to showcase the effective (or not effective) use of plot twists.
Christopher Schiller breaks down a selection of facts or fallacies in the film business, providing advice on how to navigate the myths floating around Hollywood.
You’ve been to a networking mixer or writing panel and made a connection with an exec, agent, manager, or working writer who you admire and want to work with someday. Now what? Tawnya Bhattacharya gives essential networking tips for writers.
Rick Mitz has worked in the film and TV industry for decades and also teaches screenwriting. Here he discusses his incredible journey to VCFA and his thoughts on screenwriting and the act of expanding one’s art.
Terri Coduri Viani offers ten simple hacks you can do everyday to keep your day job from killing your writing career and sanity.
With so many films adapted from intellectual property, at some point in your screenwriting career you'll find yourself writing an adaptation. Having adapted books, comics and true stories, Mario O. Moreno shares several essential techniques for writing adaptations.
Barri Evins’ secret to creating strong stories: dig deep to lay a solid foundation before building up structure. Discover the building blocks of foundation.