Jen Grisanti examines how the character wound in this year's Oscar-nominated films help the audience connect on a deeper level to the films' protagonists.
If you're writing about disabled characters and you are not disabled, develop these characters beyond their abilities to tell an authentic story. Consider a disability part of a character's makeup, not the driving engine for your screenplay.
When adapting a true story, like The Post, Paul Joseph Gulino examines the need to be willing to explore the main character beyond the facts and into a level of growth in order to tell a more complex and compelling story.
Great screenplay writing has strongly defined characters that attract financiers, studios, actors, and directors. Wendy Kram gives advice on creating memorable characters.
Likability alone will not make your protagonist appealing. But, never fear. Staton Rabin shares specific techniques you can learn for making your heroes engaging.
Paul Peditto examines famous movies with great character arcs to explore where the character arc begins, where does the character change, and where does he/she end up by the end of the story.
We screenwriters love to write these roles because through creating them, we exorcise our own demons. Staton Rabin explores writing movie villains and antagonists.
Gabrielle A. Lodl shares valuable advice from the panelists at Austin Film Festival on actionable steps you can take to help change the film industry for the better.
The House of Tomorrow delivers an insider’s look at geodesic domes, intermingled with punk rock and a unique coming of age story. Funky science, beloved music, and the awkward nuances of growing up – yes, please.
With so many pro screenwriters turning their spec scripts into novels, why not take a stab at it yourself by using November's National Novel Writing Month to turn your screenplay into a novel!