Most scripts are rejected on page one, because the writer fails to show fundamental writing skills. Clive Davies-Frayne shares exercises to help build those missing skills.
Veteran screenwriter Jeremy Leven (The Notebook, Alex and Emma, Crazy as Hell, Playing for Keeps) shows how to lay the groundwork for writing the reveal without giving it away or making the audience feel they are being toyed with.
When writing an action movies, you need powerful action happening often... but how much juice is enough? William C. Martell gives insights into finding a balance between story and action.
Paul Peditto shares the process of how the screenplay came to be for Muhammad Bayazid's The Tunnel and his amazing journey to make this film.
When sitting down to write a script, some aspiring screenwriters have an aversion to the actual writing part. Ray Morton explains how this aversion manifests on the page.
Script’s feature gives aspiring scribes the chance to have their scenes evaluated by master screenwriters. Bill Kelly and Michael Seitzman give tips on elevating tension, characters and conflict.
Does your story deliver? Barri Evins’ pointers on how to ensure you don’t disappoint your reader or your audience by fulfilling the promise of your story.
Doug Richardson, writer of 'Die Hard 2,' goes into detail giving tips on how to write actions scenes that are compelling.
Two of the most misunderstood positions in the film industry are script supervisor and script coordinator. Roe Moore provides insight for writers on what to expect when a script goes into production.
If you're looking to get a screenplay of yours made, Marty Lang proposes you try something you probably haven't done before: Write your script in reverse.