With more writers making the move from desk chair to director’s chair, the question on many a scribe’s mind becomes when stepping behind the camera: How can I do it, too?
Director, screenwriter and author, Stephen Chbosky (The Perks of a Being Wallflower), talks with Script about the making of his new family film, Wonder.
Writer/Director Aaron Sorkin spoke with Script magazine about bringing the unusual story of Molly's Game to the screen in his directorial debut.
Susan Kouguell speaks with Tatiana S. Riegel, the editor of I, Tonya, about the challenges of balancing the film’s complex moving parts, setting a pace for the ambitious story while giving both the drama and the humor room to shine.
Marty Lang shares examples of the possibilities writers and filmmakers can create for themselves by making short films.
Oscar-winning writer and director Jane Campion spoke with Dennis Lim at the opening night of her retrospective titled Jane Campion's Own Stories, about Top of the Lake, The Piano, and being a female filmmaker.
Back in March, Script magazine conducted an interview with Hollywood-Danish actor Lukas Hassel about directing, writing, and acting in his own films. Natalia Megas caught up with Lukas to get the ins and outs of winning and receiving a production deal and grant from HollyShorts Film Festival.
Years ago, the only way you could get a film made was to spend near-obscene amounts of money. Marty Lang discusses the new revolution of smartphone filmmaking.
Cheryl Laughlin interviews director Leah Warshawksi of the documentary film 'Big Sonia' – on women in films, finding the truest version of your story, and the #SmallMattersBig push for an Academy Award nomination.
Danielle Katvan describes the challenges she faced making 'The Foster Portfolio, from obtaining the rights to the Kurt Vonnegut, Jr. short story, to directing this period piece on a low budget.