Specs & The City: Symbols and ‘The Matrix’

So you’ve got basic formatting down. You know how to move from an outline, to a first draft, and on into rewriting. You’ve even finally wrangled that pesky dialogue monster that haunts so many writers. And after all of this hard work, your script is good. Really good. But it’s not great.

So now what?

Congratulations, you’re ready to crawl under the skin of your script, planting things just beneath the surface to bring your script to life and draw your audience in. Things like subplots, set-ups and pay-offs, and this week’s topic, symbols.

A symbol, for those unsure of the definition, is “a material object representing something, often something immaterial” and when you’re looking for examples of a story that utilizes multiple levels of meaning, you could do a lot worse than to start with the Wachowskis.

Let’s take a look at…

Symbols and THE MATRIX

One of the defining films of the 90’s, The Matrix is built around the concept that things aren’t always what they seem on the surface. To me, the Wachowskis illustrate this most effectively during one of the quieter moments of the film, when Neo pays a visit to The Oracle. She’s a Buddhist beacon of wisdom that takes up residence in the heart of the Matrix and while he’s waiting to see her, this happens:

	Neo enters and finally understands the attention given to
	his age.  The Potentials are all little children.

	The room feels at once like a Buddhist temple and a
	kindergarten class.  The children's heads are either
	shaved or thick with dreadlocks.  Some are playing,
	others meditating or practicing their gift.

	Neo watches a little girl levitate wooden alphabet
	blocks.  A skinny BOY holds a SPOON which sways like a
	blade of grass as he bends it with his mind.

	Neo crosses to him, sits.

	The Boy smiles as Neo picks up a spoon and tries to
	imitate him.  Despite his best efforts, Neo cannot make
	it bend.
                                  SPOON BOY
 		        Your spoon does not bend because
			it is just that, a spoon.  Mine 
			bends because there is no spoon,
			just my mind.

	Neo watches as it curls into a knot.
                                  SPOON BOY

 			Link yourself to the spoon.
			Become the spoon and bend

	Neo nods, again holding up his spoon.

			There is no spoon.  Right.

	He concentrates.  The spoon begins to bend just as the
	Priestess touches his shoulder.

		         The Oracle will see you now.

	Spoon Boy smiles.

In this scene, the spoon functions on multiple levels. There’s the basic level where Neo has spent most his life until now, where it’s simply a spoon. Dig a little deeper, and the spoon represents the matrix itself – a vivid symbol of how it can be molded and manipulated by those with the willpower. But wait, push just a bit further. There’s a third level where the spoon functions as a symbol of Neo’s awakening. His realization that what “Spoon Boy” says is true. There is no spoon.

When he bends the spoon with his mind, he is transitioned from a place of weakness to one of power within this new world he has been transported to.

It’s worth noting that using symbols is not the same thing as using symbolism. Want to know the difference? The spoon is a symbol. Neo falling backwards in a Christ-like pose as he sacrifices his life to save Zion in Matrix: Revolutions is heavy handed symbolism. Leave it out of your script.

Work symbols into your script during your rewriting, and you could  have your own moment of realization. There is no spoon, just your script.

Now get writing!

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3 thoughts on “Specs & The City: Symbols and ‘The Matrix’

  1. Eric

    Brad – as soon as I posted that comment I regretted it because I figured that was exactly the case. I’m a dialogue snob, but always from the film itself so my apologies. Ever read the “Wedding Crashers” spec – it might be the worst script I’ve ever seen. I have no idea how it was ever made and thank God for Vince Vaughn and Owen Wilson.

    Regardless, great article Brad. Thank you.