This episode serves as the end of our Women TV Writers series and the beginning of our Canadian TV Market series, which will run through the month of March.
Today we meet Daegan Fryklind: a well-established Canadian writer who lives in Vancouver, but often comes to Toronto for writing jobs. In addition to working on well-known series Being Erica, The Listener, and Cold Squad, she has won a Leo Award for Best Dramatic Series Screenwriting (JPod), has been nominated for a Canadian Screenwriter Award (Robson Arms), and co-wrote the animated feature Edison & Leo, which won “Best Animated Feature” at the Bangkok International Animation Film Festival.
In our longest interview yet, she touches on many aspects of the Canadian writing market, from why animated shows are an excellent way to develop dialogue writing skills, to how Canadian TV writing fellowships differ from US fellowships, to rewriting scripts to meet Canadian funding guidelines, to the changing landscape for writers in Vancouver vs Toronto.
Because the Canadian writing market is in many ways tougher than the US market, writers like Daegan can offer great tips to US writers who are trying to break in… plus, find out what part of the Canadian industry might actually entice US writers to move north!
Follow Daegan Fryklind on Twitter: @daeganf
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Didn’t get your questions asked? Make sure you follow Gray on Twitter (@GrayJones) so you can get the scoop on who is being interviewed and how to get your questions in. Also check out our TV Writer Twitter Database to find Twitter addresses for over 1,000 TV writers. Find our previous episodes and other resources at www.tvwriterpodcast.com or on Gray’s YouTube channel.