Christopher Schiller takes an in-depth look into the finally completed Orson Welles film, The Other Side of the Wind.
Dan Goforth spoke with producer Matt Baer about how Unbroken was always meant to be two separate films, how Matt chose the screenwriters, his views on the collaborative filmmaking process, and how important it was that this be a faith-based film.
Tom Stempel examines the blockbusters, Incredibles 2, Jurassic World: Fallen Kingdom, Year of the Spectacular Men, and Let the Sunshine In, to showcase the screenwriters' choices for their female characters.
Joy Cheriel Brown analyzes the heist movie, American Animals, the use of an ensemble cast, and the characters' feelings of irrelevance.
Paul Joseph Gulino explores the lost opportunities of set-up and pay-off in the film Hereditary.
Joy Cheriel Brown reviews On Chesil Beach, exploring the missed opportunities in structure and building tension.
Leading up to the 2018 Oscars, Script looks back at some of our articles, interviews, and film reviews that covered what are now Oscar-nominated films. Plus, download screenplays of this year's contenders!
If you missed the Napa Film Fest, Cheryl Laughlin shares what films screenwriters and film lovers should be on the lookout for. Plus, see why you should meet your film idols.
The House of Tomorrow delivers an insider’s look at geodesic domes, intermingled with punk rock and a unique coming of age story. Funky science, beloved music, and the awkward nuances of growing up – yes, please.
Christopher Schiller examines the complexities of Sebastian Lelio's film, A Fantastic Woman.